Filtering retrieved events

Query parameters can be used to filter the retrieved events by the following criteria.

Event time

Use start and end to restrict the date range of returned events. Any events that intersect with the given date range will be returned.

The parameters start and end can be given in the following formats:

  • ISO 8601 (including the time of day), i.e. YYYY-MM-DDTHH:MM:SSZ
  • yyyy-mm-dd

In addition, today (for start or end of today) and now (for the exact current timestamp) can be used in either parameter to get current events.

Example:

event/?start=today&end=2020-12-31

See the result

event/?start=now&end=today

See the result

Event start/end time

Use starts_after, starts_before, ends_after, and ends_before to filter for the events that start and end within certain hours, for example for the ones that start after 17:00 and end before 21:00.

The parameters can be given as:

  • Hours only
  • Hours and minutes separated by a colon

Example:

event/?starts_after=16:30&ends_before=21

See the result

Event location

Bounding box

To restrict the retrieved events to a geographical region, use the query parameter bbox in the format

bbox=west,south,east,north

Where west is the longitude of the rectangle's western boundary, south is the latitude of the rectangle's southern boundary, and so on. The coordinate system is the trusty old EPSG:4326 known from all online maps.

Example:

event/?bbox=24.9348,60.1762,24.9681,60.1889

See the result

Specific location

To restrict the retrieved events to a known location(s), use the query parameter location, separating values by commas if you wish to query for several locations.

Location ids are found at the place endpoint, which lists the locations in decreasing number of events found. Most locations originate from the Helsinki service point registry (tprek), hence the format tprek:28473. An easy way to locate service points is to browse servicemap.hel.fi, which uses the same location ids, e.g. servicemap.hel.fi/unit/28473.

Example:

event/?location=tprek:28473

See the result

District

To restrict the retrieved events to city district(s), use the query parameter division, separating values by commas if you wish to query for several divisions.

City of Helsinki neighborhoods (kaupunginosa), districts (peruspiiri) and subdistricts (osa-alue) are supported. Check the divisions on the Helsinki map service.

You may query either by specific OCD division type peruspiiri:malmi, or by division name malmi. The latter query checks all divisions with the name, regardless of division type.

Example:

event/?division=malmi

See the result

Event category

To restrict the retrieved events by category, use the query parameter keyword, separating values by commas if you wish to query for any of several keywords, or the parameter keyword_AND, if you require all provided values (separated by commas) to be present.

Keyword ids are found at the keyword endpoint, which lists the keywords in decreasing number of events found. The common keywords used in all events originate from the general Finnish ontology (YSO), hence the format yso:p4354.

The most common event categories are listed in the two keyword sets helsinki:topics and helsinki:audiences, which list the YSO keywords that are present in most events to specify event main topic and audience.

Example:

event/?keyword=yso:p4354

See the result

Keyword set search

Some services maintain curated keyword sets, which can also be used in search with query parameters keyword_set_AND and keyword_set_OR. As names of the keyword sets can repeat between the services, ids should be supplied. Say, we have one keyword set Music with id "myservice:1" that contains keywords rock and jazz, and another keyword set Workshops with keywords "workshop" and "seminar" and id "myservice:2". Then a request /event/?keyword_set_AND=myservice:1,myservice:2 would return the events matching the following expression: (rock OR jazz) AND (workshop OR seminar).

Event last modification time

To find events that have changed since you last polled Linkedevents API (to e.g. update your event cache), it is best to use the query parameter last_modified_since. This allows you to only return data that has changed after your last update. You may also include events that have been deleted in the API in the results by using the show_deleted filter. This allows you to update your cache with all added, modified and deleted events without having to fetch *all* future events every time.

Example:

event/?last_modified_since=2020-04-07&show_deleted=True

See the result

Event status

Events in Linkedevents (indicated by the event_status field) may be either scheduled as planned (EventScheduled), rescheduled if their start time has changed after they were first published (EventRescheduled), cancelled if they were cancelled altogether after publication (EventCancelled), or postponed to the indefinite future if they could not be organized at the original time (EventPostponed). These statuses stem from schema.org.

You may filter events with only the desired status with the event_status filter.

Example:

event/?event_status=EventCancelled

See the result

Event text

To find out events that contain a specific string in any of the text fields, use the query parameter text.

Example:

event/?text=shostakovich

See the result

Ongoing local events

Use to quickly access local (municipality level) events that are upcoming or have not ended yet. Combines the search on a number of description, name, and keyword fields. Locality is defined on the basis of MUNIGEO_MUNI value, which is set in the settings file. In the Helsinki case all the events would be retrieved that happen within Helsinki. Comes in two flavors: AND and OR. Use event/?local_ongoing_AND=lapset,musiiki to search for the events with both search terms in the description fields and ?local_ongoing_OR to search for the events with at least one term mentioned. The search is non-intelligently fuzzy, it allows two edits per search term which would cover some typos and allow for some grammatic changes: lapsi would match lapset but not lasten.

Example:

event/?local_ongoing_AND=lapsa,musiikki

See the result

Ongoing internet events

Use to quickly access internet-based events that are upcoming or have not ended yet. Usage is the same as for local ongoing events, two variations: ?internet_ongoing_AND and ?internet_ongoing_OR Note, that local_ongoing and internet_ongoing are mutually exclusive.

Example:

event/?internet_ongoing_AND=lapsa,musiiki

See the result

All ongoing events

All ongoing events, both internet and local combined. Usage is the same as for local ongoing events: ?all_ongoing_AND and ?all_ongoing_OR

Example:

event/?all_ongoing_AND=lapsa,musiiki

See the result

Internet based

Filter for all the events that happen in the internet, both past and upcoming.

Example:

event/?internet_based=true

See the result

Event price

Events may or may not contain the offers field that lists event pricing. To return only free or non-free events, use the query parameteris_free. However, note that from some data sources, no event pricing info is available, so this filter will only return those events which have pricing data available.

Example:

event/?is_free=true

See the result

Event language

To find events that have a set language or event data translated into that language, use the query parameter language. If you only wish to see events that have a set language, use the in_language parameter, and if you only want event data translated to a set language, use the translation parameter.

Supported languages are found at the language endpoint, which also lists which languages have translations available. Currently, translations are supported in fi, sv, en, ru, zh_hans, and ar.

Example:

event/?language=ru

See the result

Event audience age boundaries.

To find events that are designed for specific age audiences use the query paramteres audience_min_age_lt, audience_min_age_gt, audience_max_age_lt, audience_max_age_gt.

audience_min_age_lt returns the events whose minimal age is lower than or equals the specified value, audience_min_age_gt returns the events whose minimal age is greater than or equals the specified value. max_age parameteres, naturally, work the same way only for the maximum age of the event audience. Note, that the events that are not designed for the specific audiences will be omitted.

audience_max_age and audience_min_age parameters without lt and gt modifiers are left for backward compatibility only and should not be employed.

Example:

event/?audience_min_age_gt=10

See the result

Event publisher

To find out events that are published by a specific organization, use the query parameter publisher, separating values by commas if you wish to query for several publishers.

Existing publisher organizations are found at the organization endpoint. City of Helsinki internal publishers have ids of the form ahjo:origin_id as they originate from the Helsinki Ahjo decisionmaking system, and have a rather complex hierarchy. External publishers may have their own namespaces, ids and hierarchies.

Also, it is possible to fetch events under a specific publisher organization hierarchy (say City of Helsinki) by using the parameter publisher_ancestor, which returns all events published by any suborganizations (at any level) of the given organization.

Example:

event/?publisher=ytj:0586977-6

See the result

event/?publisher_ancestor=ahjo:00001

See the result

Event data source

To find out events that originate from a specific source system, use the query parameter data_source. All event ids are of the form data_source:origin_id, so this allows you to return only events coming to Linkedevents from a specific data system. helsinki is the name of our own data source, i.e. events where Linkedevents API itself is the master data.

Example:

event/?data_source=helmet

See the result

Event hierarchy

Events in linkedevents may be either standalone events, or they may have super or sub events. There are two types of super events, indicated in the field super_event_type by recurring (repeating events, event series) and umbrella (festivals etc.).

recurring events last for a period and have sub_events that all have similar data, but different dates.

umbrella events last for a period and may have different sub_events, including recurring events (i.e. an umbrella festival may have a recurring theater play sub_event, which may have several nights as sub_events.)

Super event type

You may use the query parameter super_event_type, comma separated, to get only super events of specific types. You may use none if you want non-super events included.

Example:

event/?super_event_type=umbrella,none

See the result

Super event

You may use the query parameter super_event, comma separated, to get all subevents for specific superevents. You may use none if you want all events which have no superevent included.

Example:

event/?super_event=linkedevents:agg-103

See the result

Getting detailed data

In the default case, keywords, locations, and other fields that refer to separate resources are only displayed as simple references.

If you want to include the complete data from related resources in the current response, use the keyword include. Please note, however, that including all the resources inlined in *every* event will result in a huge number of duplicate data in the json, making the json very slow to generate and process and causing considerable API load and long response times when too many such requests are made. Therefore, if you are listing the maximum number of events (100) or updating your cache with all events, please consider caching the keyword and location data separately to prevent unnecessary API slowdown and continuous repeated work. Keyword and location data seldom change and are easily fetched from their own endpoints separately.

Example:

event/?include=location,keywords

See the result

Ordering

Default ordering is descending order by -last_modified_time. You may also order results by start_time, end_time, name and duration. Descending order is denoted by adding - in front of the parameter, default order is ascending. For example:

event/?sort=-end_time

See the result

GET /linkedevents/v1/event/?text=shostakovich
HTTP 200 OK
Allow: GET, POST, PUT, PATCH, HEAD, OPTIONS
Content-Type: application/json ;utf-8
Vary: Accept

{
    "meta": {
        "count": 99,
        "next": "http://api.hel.fi/linkedevents/v1/event/?page=2&text=shostakovich",
        "previous": null
    },
    "data": [
        {
            "id": "helsinki:agaywpjmni",
            "location": {
                "@id": "http://api.hel.fi/linkedevents/v1/place/tprek:20633/"
            },
            "keywords": [
                {
                    "@id": "http://api.hel.fi/linkedevents/v1/keyword/yso:p11185/"
                },
                {
                    "@id": "http://api.hel.fi/linkedevents/v1/keyword/yso:p360/"
                }
            ],
            "super_event": {
                "@id": "http://api.hel.fi/linkedevents/v1/event/helsinki:agauotvaei/"
            },
            "event_status": "EventScheduled",
            "type_id": "General",
            "external_links": [],
            "offers": [
                {
                    "is_free": false,
                    "price": {
                        "fi": "44–72 € / 32–57 € (Ticketmaster)",
                        "sv": "44–72 € / 32–57 € (Ticketmaster)",
                        "en": "44–72 € / 32–57 € (Ticketmaster)"
                    },
                    "info_url": {
                        "fi": "",
                        "sv": "",
                        "en": ""
                    },
                    "description": {
                        "fi": "44–72 € / 32–57 € (Ticketmaster)",
                        "sv": "44–72 € / 32–57 € (Ticketmaster)",
                        "en": "44–72 € / 32–57 € (Ticketmaster)"
                    }
                }
            ],
            "data_source": "helsinki",
            "publisher": "ytj:0224232-9",
            "sub_events": [],
            "images": [
                {
                    "id": 81162,
                    "license": "event_only",
                    "created_time": "2022-06-22T11:46:54.950601Z",
                    "last_modified_time": "2022-06-22T11:47:30.566262Z",
                    "name": "Magdalena_Kozena-1987cJulia-Wesely-1.jpeg",
                    "url": "http://api.hel.fi/linkedevents/media/images/Magdalena_Kozena-1987cJulia-Wesely-1.jpeg",
                    "cropping": "262,0,938,675",
                    "photographer_name": "Julia Wesely",
                    "alt_text": "Magdalena Kozena",
                    "data_source": "helsinki",
                    "publisher": "ytj:0224232-9",
                    "@id": "http://api.hel.fi/linkedevents/v1/image/81162/",
                    "@context": "http://schema.org",
                    "@type": "ImageObject"
                }
            ],
            "videos": [],
            "in_language": [
                {
                    "@id": "http://api.hel.fi/linkedevents/v1/language/fi/"
                }
            ],
            "audience": [],
            "created_time": "2022-06-22T11:47:31.071452Z",
            "last_modified_time": "2022-06-22T11:47:31.071514Z",
            "date_published": null,
            "start_time": "2022-08-30T16:00:00Z",
            "end_time": "2022-08-30T18:00:00Z",
            "custom_data": null,
            "audience_min_age": null,
            "audience_max_age": null,
            "super_event_type": null,
            "deleted": false,
            "maximum_attendee_capacity": null,
            "remaining_attendee_capacity": null,
            "minimum_attendee_capacity": null,
            "enrolment_start_time": null,
            "enrolment_end_time": null,
            "local": false,
            "search_vector_fi": "'album':62C 'bartók':50C,110C 'brahms':48C 'bronfm':4A,11B,21C,99C 'bronfman':87C 'ens':35C,54C 'ensiluok':82C 'esit':46C 'eurooppalais':30C 'gramophon':78C 'häide':67C 'ilmaisu':43C 'ilmestyn':61C 'juhlahumu':112C 'kaksiko':45C,57C 'kansanmusiikkiperint':31C 'kappal':47C 'kehu':94C 'kehui':79C 'kolm':53C 'kožená':2A,7B,17C,81C,97C 'kuva':85C 'laatu':83C 'lapsuud':70C 'lava':14B,24C 'leik':71C 'levyt':58C 'loistav':89C 'läpi':44C 'magdal':1A,6B,16C 'maineik':36C 'maineikas':76C 'mainitu':55C 'mezzosopraano':5B,15C,80C 'musiikkileht':77C 'musiikkitalo':13B,23C 'musorgsk':49C 'myös':28C 'nokkel':108C 'nostalg':63C 'nostalgis':106C 'odotetu':96C 'pait':25C 'peri':32C 'pianist':9B,19C,86C 'poeettis':42C 'polkkaviit':116C 'riemu':68C 'saapuv':12B 'satiiris':115C 'sit':40C 'slaavilais':111C 'soiva':65C 'suodattunu':34C 'suvereen':26C 'säveltäj':37C,56C 'sävyk':101C 'taipuv':104C 'taito':27C 'teoks':64C 'teost':91C 'tulkino':102C 'tulkitsij':41C 'tun':100C 'tuotanto':38C 'tuova':22C 'vertais':93C 'viattomuud':72C 'viekkaud':74C 'viime':59C 'viittauks':29C 'virtuoosihaast':92C 'vuon':60C 'vuoro':88C,90C 'väl':75C 'yefim':3A,10B,20C 'šostakovitš':52C,114C",
            "search_vector_en": "'acclaim':25C 'addit':22C 'album':75C 'bartók':71C,163C 'brahm':69C,139C 'bring':37C 'bronfman':4A,13B,35C,127C,148C 'captur':162C 'centr':20B,51C 'challeng':137C 'childhood':99C 'clever':160C 'compos':57C 'cun':106C 'describ':124C 'duo':64C 'equal':134C 'european':40C 'expect':145C 'express':62C,92C 'featur':80C 'festiv':166C 'first':86C 'folk':41C 'form':122C 'gramophon':111C 'helsinki':18B,49C 'innoc':104C 'interpret':154C 'joy':94C 'known':150C 'kožená':2A,9B,31C,117C,146C 'last':78C 'magazin':110C 'magdalena':1A,8B,30C 'mezzo':6B,28C,115C 'mezzo-soprano':5B,27C,114C 'moment':102C 'music':19B,42C,50C,109C 'musorgski':70C 'nostalg':158C 'nostalgia':76C 'nuanc':153C 'parti':97C 'perform':66C 'pianist':11B,33C,126C 'piec':67C,91C 'plaudit':141C 'play':100C 'poetic':61C 'polka':175C 'prais':112C 'prime':121C 'record':81C 'refer':38C,173C 'releas':77C 'renown':56C,108C 'satir':172C 'shostakovich':73C,170C 'slavic':165C 'soprano':7B,29C,116C 'stage':16B,46C 'take':14B 'talent':26C 'three':87C 'touch':133C 'tradit':43C 'virtuoso':131C 'wed':96C 'well':168C 'work':54C,83C 'year':79C 'yefim':3A,12B,34C",
            "search_vector_sv": "'ansed':100C 'barndom':91C 'bartók':64C,149C 'beskrev':109C 'bjud':34C 'brahm':62C 'bronfman':4A,11B,25C,111C,130C 'bröllopsglädj':89C 'duon':67C 'europeisk':40C 'festyr':151C 'filtrer':43C 'finur':146C 'fjol':81C 'folkmusiktradition':41C 'framför':59C 'färg':52C 'först':42C 'förstklass':106C 'förstnämnd':74C 'gav':77C 'genom':45C 'gramophon':102C 'hyll':103C 'hyllning':122C 'in':69C 'kom':123C 'kompositör':49C,75C 'kožená':2A,7B,21C,128C 'koženás':105C 'kvalitet':107C 'känd':48C,132C 'lek':92C 'ljud':87C 'lys':113C 'magdalen':1A,6B,20C 'mezzosopran':5B,19C,104C 'musikerduon':58C 'musikerkonst':15B,29C 'musikhuset':17B,31C 'musikmagasinet':101C 'musorgskij':63C 'nostalgi':84C 'nostalgisk':143C 'oskyld':96C 'pendl':94C 'pianist':9B,23C,110C 'poetisk':56C 'polkareferens':155C 'presenter':12B,26C 'referens':37C 'samtid':35C 'satirisk':154C 'scen':18B,32C 'sjostakovitj':66C,153C 'själfull':135C 'skivan':83C 'slavisk':150C 'slug':98C 'spel':68C 'sträck':139C 'styck':60C,70C 'stycken':121C 'suverän':14B,28C 'såväl':88C 'tolk':55C 'tolkning':136C,138C 'tradition':44C 'tre':73C 'utmaning':117C 'uttryck':57C 'verk':46C,86C 'virtuosisk':120C 'väl':115C 'värd':116C 'yefim':3A,10B,24C 'överraskning':127C",
            "replaced_by": null,
            "provider_contact_info": null,
            "description": {
                "fi": "<p>Mezzosopraano Magdalena Kožená ja pianisti Yefim Bronfman tuovat Musiikkitalon lavalle paitsi suvereenit taitonsa myös viittauksia eurooppalaiseen kansanmusiikkiperinteeseen. Perinne on suodattunut ensin maineikkaiden säveltäjien tuotantoon ja sitten tulkitsijoiden poeettisen ilmaisun läpi. Kaksikko esittää kappaleita Brahmsilta, Musorgskilta, Bartókilta ja Šostakovitšilta.</p>\n<p>Kolmea ensiksi mainittua säveltäjää kaksikko levytti viime vuonna ilmestyneelle albumilleen <em>Nostalgia</em>. Teokset soivat niin häiden riemua kuin lapsuuden leikkiä viattomuuden ja viekkauden välillä. Maineikas musiikkilehti Gramophone kehui mezzosopraano Koženán “ensiluokkaista laatua” ja kuvasi pianisti Bronfmania vuoroin loistavaksi, vuoroin teosten virtuoosihaasteen vertaiseksi.</p>\n<p>Kehut olivat odotettuja. Kožená ja Bronfman tunnetaan sävykkäistä tulkinnoistaan. Ne taipuvat niin nostalgiseen kuin nokkelaan, niin Bartókin slaavilaiseen juhlahumuun kuin Šostakovitšin satiiriseen polkkaviitteeseen.</p>\n<p></p>",
                "sv": "<p></p><p>Mezzosopranen Magdalena Kožená och pianisten Yefim Bronfman presenterar sina suveräna musikerkonst på Musikhusets scen och bjuder samtidigt på referenser till den europeiska folkmusiktraditionen. Först filtreras traditionen genom verk av kända kompositörer, och sedan färgas den av tolkarnas poetiska uttryck. Musikerduon framför stycken av Brahms, Musorgskij, Bartók och Sjostakovitj.</p>\n<p>Duon spelade in stycken av de tre förstnämnda kompositörerna och gav ut dem i fjol på skivan <em>Nostalgia</em>. I verken ljuder såväl bröllopsglädje som barndomens lekar som pendlar mellan oskyldighet och slughet. Det ansedda musikmagasinet Gramophone hyllade mezzosopranen Koženás ”förstklassiga kvalitet” och beskrev pianisten Bronfman som lysande, och väl värd utmaningarna i de virtuosiska styckena.</p>\n<p>Hyllningen kom inte som en överraskning. Kožená och Bronfman är kända för sina själfulla tolkningar. Deras tolkningar sträcker sig från det nostalgiska till det finurliga, och från Bartóks slaviska festyra till Sjostakovitj satiriska polkareferenser.</p><p></p>",
                "en": "<p></p><p>In addition to their acclaimed talent, mezzo-soprano Magdalena Kožená and pianist Yefim Bronfman will bring references to European folk music traditions to the stage at the Helsinki Music Centre through the works of renowned composers and their own poetic expression. The duo will perform pieces by Brahms, Musorgski, Bartók and Shostakovich.</p>\n<p>Their album <em>Nostalgia,</em> released last year, features recordings of works by the first three of these. The pieces express the joys of wedding parties and childhood play between moments of innocence and cunning. The renowned music magazine <em>Gramophone</em> praised the mezzo-soprano Kožená as being “in prime form” and described the pianist Bronfman as having a virtuoso’s touch equal to the challenges of Brahms.</p>\n<p>Such plaudits are to be expected. Kožená and Bronfman are known for their nuanced interpretations, which are both nostalgic and clever and capture Bartók’s Slavic festivities as well as Shostakovich’s satirical references to polka.<br></p><p></p>"
            },
            "location_extra_info": {
                "fi": "",
                "sv": "",
                "en": ""
            },
            "name": {
                "fi": "Magdalena Kožená & Yefim Bronfman",
                "sv": "Magdalena Kožená & Yefim Bronfman",
                "en": "Magdalena Kožená & Yefim Bronfman"
            },
            "short_description": {
                "fi": "Mezzosopraano Magdalena Kožená ja pianisti Yefim Bronfman saapuvat Musiikkitalon lavalle.",
                "sv": "Mezzosopranen Magdalena Kožená och pianisten Yefim Bronfman presenterar sina suveräna musikerkonst på Musikhusets scen.",
                "en": "Mezzo-soprano Magdalena Kožená and pianist Yefim Bronfman take the stage at Helsinki Music Centre."
            },
            "provider": {
                "fi": "Helsingin juhlaviikot",
                "sv": "Helsingfors festspel",
                "en": "Helsinki Festival"
            },
            "info_url": {
                "fi": "https://helsinkifestival.fi/event/magdalena-kozena-yefim-bronfman/",
                "sv": "https://helsinkifestival.fi/sv/event/magdalena-kozena-yefim-bronfman-3/",
                "en": "https://helsinkifestival.fi/en/event/magdalena-kozena-yefim-bronfman-2/"
            },
            "@id": "http://api.hel.fi/linkedevents/v1/event/helsinki:agaywpjmni/",
            "@context": "http://schema.org",
            "@type": "Event/LinkedEvent"
        },
        {
            "id": "helsinki:agayu6twtm",
            "location": {
                "@id": "http://api.hel.fi/linkedevents/v1/place/tprek:20633/"
            },
            "keywords": [
                {
                    "@id": "http://api.hel.fi/linkedevents/v1/keyword/yso:p11185/"
                },
                {
                    "@id": "http://api.hel.fi/linkedevents/v1/keyword/yso:p360/"
                }
            ],
            "super_event": {
                "@id": "http://api.hel.fi/linkedevents/v1/event/helsinki:agauotvaei/"
            },
            "event_status": "EventScheduled",
            "type_id": "General",
            "external_links": [],
            "offers": [
                {
                    "is_free": false,
                    "price": {
                        "fi": "27–82 € / 28,5–62 € (Ticketmaster)",
                        "sv": "27–82 € / 28,5–62 € (Ticketmaster)",
                        "en": "27–82 € / 28,5–62 € (Ticketmaster)"
                    },
                    "info_url": {
                        "fi": "",
                        "sv": "",
                        "en": ""
                    },
                    "description": {
                        "fi": "27–82 € / 28,5–62 € (Ticketmaster)",
                        "sv": "27–82 € / 28,5–62 € (Ticketmaster)",
                        "en": "27–82 € / 28,5–62 € (Ticketmaster)"
                    }
                }
            ],
            "data_source": "helsinki",
            "publisher": "ytj:0224232-9",
            "sub_events": [],
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                "fi": "<p>Brittiläisen Chineke! Orchestran solisti, sellisti Sheku Kanneh-Mason, muokkaa uusiksi mielikuvia klassisesta musiikista. Hänen ensimmäisellä levyllään Šostakovitš sai rinnalleen Bob Marleytä, ja hänen toinen levynsä ylsi brittilistojen top-kymppiin. Kun Kanneh-Mason esitti serenadin prinssi Harryn ja Meghan Marklen häissä, tv-katsojia oli kaksi miljardia.&nbsp;</p>\n<p>Sellisti tunnetaan klassisen musiikin harrastajien piirissä kuitenkin ennen kaikkea kyvyistään. Vuonna 2016 Kanneh-Mason palkittiin BBC:n parhaana nuorena muusikkona. Sen jälkeen hän on kiertänyt maailman parhaita konserttisaleja New Yorkin Carnegie Hallista Amsterdamin Concertgebouwiin.</p>\n<p>Musiikkitalossa Kanneh-Mason esiintyy Chineke! Orchestran kanssa. Kontrabasisti Chi-Chi Nwanoku perusti kokoonpanon vuonna 2015 lähtökohtanaan huomio, että hän oli ollut ainoa rodullistettu soittaja kaikissa orkestereissa 35-vuotisen uransa aikana.&nbsp;</p>\n<p>Juhlaviikkojen konsertti rikkoo ikiaikaisia oletuksia klassisen musiikin soittajista ja säveltäjistä mutta täyttää odotukset musiikin laadusta.</p>\n<p></p>",
                "sv": "<p></p><p>Solisten för brittiska Chineke! Orchestra, cellisten Sheku Kanneh-Mason, förändrar våra föreställningar om klassisk musik. På sin första skiva varvade han Sjostakovitj med Bob Marley, och hans andra skiva nådde topp tio-platsen på de brittiska listorna. När Kanneh-Mason framförde en serenad på prins Harrys och Meghan Markles bröllop, nådde uppträdandet två miljarder tv-tittare.&nbsp;</p>\n<p>Trots det är cellisten framför allt känd för sin virtuositet bland vänner av klassisk musik. År 2016 belönades Kanneh-Mason med BBC:s pris för bästa unga musiker. Efter det har han rest runt till världens främsta konsertsalar, från Carnegie Hall i New York till Concertgebouw i Amsterdam.</p>\n<p>På Musikhuset uppträder Kanneh-Mason tillsammans med Chineke! Orchestra. Kontrabasisten Chi-Chi Nwanoku grundade ensemblen år 2015. Utgångspunkten var att han varit den enda rasifierade musikern i alla orkestrar han spelat i under sin 35 år långa karriär.</p>\n<p>Konserten på festspelen spränger uråldriga föreställningar om vem som spelar och komponerar klassisk musik, men uppfyller alla förväntningar på musikens kvalitet.<br></p><p></p>",
                "en": "<p>Soloist with the British Chineke! Orchestra cellist Sheku Kanneh-Mason reinvigorates our views of classical music. On his first album, Shostakovich met Bob Marley, and his second reached the top ten in the British charts. When Kanneh-Mason serenaded Prince Harry and Meghan Markle at their wedding, there were two billion TV viewers.</p>\n<p>Among classical music enthusiasts, the cellist is best known for his outstanding talent. Kanneh-Mason won the 2016 BBC Young Musician award and has since toured the world’s best concert venues from Carnegie Hall in New York to Concertgebouw in Amsterdam.</p>\n<p>At the Helsinki Music Centre, Kanneh-Mason will perform with the Chineke! Orchestra. Contrabassist Chi-Chi Nwanoku founded the orchestra in 2015 in response to having been the only black musician in any of the orchestras she had played in over her 35-year career.</p>\n<p>The concert at the Helsinki Festival will challenge ancient assumptions about classical musicians and composers and exceed even the loftiest expectations of the quality of music being performed.</p>\n<p></p>"
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                "fi": "<p>Mtsenskin kihlakunnan Lady Macbeth on ooppera, joka peittoaa parhaimmatkin rikossarjat.</p>\n<p></p>\n<p>Ole Anders Tandbergin tulkinta Šostakovitšin väkevästä draamasta oli ensi-illassaan suoranainen ilmiö: se keräsi ylistäviä arvioita niin kriitikoilta kuin yleisöltä. Häpeilemätön ohjaus herättää pohtimaan naisen asemaa yhteiskunnassa ja jää pyörimään mieleen vielä pitkään esityksen päätyttyä.</p>\n<p></p>\n<p>Musiikki: Dmitri Shostakovits</p>\n<p>Musiikinjohto: John Storgårds</p>\n<p>Ohjaus: Ole Anders Tandberg&nbsp;</p>\n<p></p>\n<p>Suomen kansallisooppera ja -baletti</p>\n<p>11.-25.2.2023&nbsp;</p>\n<p></p>\n<p>Liput 17-99€, kesto 3 h 5 min&nbsp;</p>\n<p>Suosittellaan yli 16-vuotiaille katsojille. Esityksen äänenvoimakkuus nousee paikoittain erittäin kovaksi.</p>\n<p>Esityskieli venäjä, tekstitys suomeksi, ruotsiksi ja englanniksi</p>",
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                "fi": "<p>RSO &amp; Mark Wigglesworth &amp; Istvan Várdái</p>\n<p></p>\n<p>Laaja-alainen kapellimestari ja Olivier-palkittu Mark Wigglesworth kirjoitti korona-ajan ajatuksistaan The Guardianissa syksyllä 2020. Hän pohti sulkujen aiheuttamaa hiljaisuutta: miten musiikkia ei ole ilman kuulijaa ja miten musiikillinen kokemus yhdistää säveltäjän, soittajan, organisaattorin ja kuulijan. Ihmisten välisistä suhteista on kysymys hänen mukaansa myös kapellimestarin tehtävässä.&nbsp;</p>\n<p></p>\n<p>Wigglesworth julkaisi tästä muutama vuosi sitten kirjan The Silent Musician.Konserttisalit eivät olleet kiinni Lontoossa 1943, kun Ralph Vaughan-Williamsin viides sinfonia kantaesitettiin. Päinvastoin, sinfonian koettiin tuoneen lohtua sota-aikaan. Vaughan-Williams omisti sinfoniansa ”ilman lupaa Jean Sibeliukselle”.</p>\n<p>Helen Grime on vuonna 1981 syntynyt skotlantilainen säveltäjä ja Virga hänen ensimmäinen orkesteriteoksensa vuodelta 2007. Sen löysi vaikutusvaltainen Pierre Boulez, joka halusi johtaa sävellyksen Pariisissa. Royal Scottish National Orchestra valitsi Virgan kymmenen merkittävimmän 2000-luvun alussa sävelletyn uuden teoksen joukkoon.</p>\n<p>Konsertin solisti on jännittävistä konserttiohjelmistaan tunnettu sellisti Istvan Várdái, joka hiljattain nimitettiin legendaarisen Franz Liszt -kamariorkesterin taiteelliseksi johtajaksi.&nbsp;</p>\n<p></p>\n<p>Radion sinfoniaorkesteri (RSO)</p>\n<p>Mark Wigglesworth, kapellimestari</p>\n<p>Istvan Várdái, sello</p>\n<p></p>\n<p>Helen Grime: Virga</p>\n<p>Dmitri Šostakovitš: Sellokonsertto nro 2 op. 126</p>\n<p>Ralph Vaughan-Williams: Sinfonia nro 5 D-duuri</p>\n<p></p>\n<p>Musiikkitalo, konserttisali</p>\n<p>18.3.2022 klo 19.00</p>\n<p></p>\n<p>Liput 9-37€ Ticketmasterista, kesto 2 h, sis. väliajan</p>",
                "en": "<p>FRSO &amp; Mark Wigglesworth &amp; Istvan Várdái</p>\n<p></p>\n<p>The premiere of the symphony by Ralph Vaughan-Williams in London in 1943 brought comfort in war-time. It is dedicated “Without permission and with the sincerest flattery to Jean Sibelius”. Helen Grime is a Scottish composer born in 1981. Pierre Boulez discovered her Virga and wanted to conduct it in Paris, and it has since found its way into the repertoire of orchestras far and wide.</p>\n<p></p>\n<p>Performers:</p>\n<p>Finnish Radio Symphony Orchestra (FRSO)</p>\n<p>Mark Wigglesworth, conductor</p>\n<p>Istvan Várdái, cello</p>\n<p></p>\n<p>Program:</p>\n<p>Helen Grime: Virga</p>\n<p>Dmitri Shostakovich: Cello Concerto No. 2 Op. 126</p>\n<p>Ralph Vaughan-Williams: Symphony No. 5 D Major</p>\n<p></p>\n<p>Musiikkitalo - Helsinki Music Centre, Concert Hall</p>\n<p>18.3.2022 at 19.00</p>\n<p></p>\n<p>Tickets 9-37€ from Ticketmaster, duration 2 h</p>"
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                "fi": "<p>Orkesterinjohdon harjoitusorkesteri esittää Beethovenin, Griegin ja Shostakovichin sävellyksiä professori Sakari Oramon kapellimestariopiskelijoiden johdolla.</p>\n<p></p>\n<p>Ohjelma:</p>\n<p><br>Dmitri Shostakovich: Sinfonia #9</p>\n<p>Edvard Grieg: Morgenstemning and Anitra’s Dance from Peer Gynt suite #1</p>\n<p>Beethoven: Sinfonia #1</p>\n<p></p>\n<p>Harjoitusorkesteri koostuu vuosittain valittavista Sibelius-Akatemian opiskelijoista. Tässä orkesterissa opiskelijat tutustuvat kapellimestarin opetukseen ja uuteen repertuaariin.<br>Kapellimestariopiskelijat: Aku Sorensen, Aliisa Barrière, Tarmo Peltokoski, Kristian Sallinen, Nathanaël Iselin, Costas Vallios sekä Mateusz Gwizdalla.</p>\n<p><br>Musiikkitalo, Sonore-sali</p>\n<p>30.10.2021 klo 14</p>\n<p></p>\n<p>Vapaa pääsy, kesto 1 h 30 min</p>",
                "en": "<p></p>\n<p>The rehearsal orchestra of the Sibelius Academy is performing music by Beethoven, Grieg and Shostakovich with the conductor students and their professor Sakari Oramo at Helsinki Music Centre.</p>\n<p></p>\n<p>Program:</p>\n<p><br>Dmitri Shostakovich: Symphony #9</p>\n<p>Edvard Grieg: Morgenstemning and Anitra’s Dance from Peer Gynt suite #1</p>\n<p>Beethoven: Symphony #1</p>\n<p></p>\n<p><br>Musiikkitalo - Helsinki Music Centre, Sonore Hall</p>\n<p>30.10.2021 at 14.00</p>\n<p>Free entry, duration 1 h 30 min&nbsp;</p>"
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                "fi": "<p>PERUTTU<br><br><b>Tarmo Peltokoski</b>, kapellimestari<br><strong>Mackenzie Melemed</strong>, piano </p><p>Sebastian Fagerlund: Strings to the Bone<br>\nSergei Rahmaninov: Rapsodia Paganinin teemasta, op. 43<br>\nDimitri Šostakovitš: Sinfonia nro 1 op. 10</p><p>Kauden päätöskonsertin aloittaa Sebastian Fagerlundin tiheäsykkeinen jousiorkesteriteos Strings to the Bone. Kapellimestari Tarmo Peltokoski ja suomalaisten sydämet vuonna 2017 Maj Lind-kilpailuissa vienyt pianisti Mackenzie Melemed tuovat sen perään slaavilaisen musiikin tuulahduksen. Rahmaninovin ja Šostakovitšin<em></em>musiikki ravitsee sielun ja mielen kunnes jälleen tapaamme.</p><p></p><p></p>",
                "sv": "<p>INSTÄLLD</p><p> <b>Tarmo Peltokoski</b>, dirigent <br><strong>Mackenzie Melemed</strong>, piano </p> <p>Sebastian Fagerlund: Strings to the Bone <br>\nSergej Rachmaninov: Rapsodi över ett tema av Paganini op. 43<br>\nDmitrij Sjostakovitj: Symfoni nr 1 f-moll op. 10 </p> <p> <br>\nSäsongens avslutningskonsert inleds av Sebastian Fagerlunds tätt pulserande stråkorkesterverk Strings to the Bone. Dirigenten Tarmo Peltokoski och pianisten Mackenzie Melemed, som erövrade finländarnas hjärtan i Maj Lind-tävlingen år 2017, bjuder därefter på en fläkt av slavisk musik. Musiken av Rachmaninov och Sjostakovitj ger föda för själ och sinne tills vi ses igen. </p> <p> . </p>\n<p></p>",
                "en": "<p> <b>Tarmo Peltokoski</b>, conductor <br><strong>Mackenzie Melemed</strong>, piano <br><br>\nSebastian Fagerlund: Strings to the Bone <br>\nSergei Rachmaninoff: Rhapsody on a Theme of Paganini, op. 43 <br>\nDmitri Shostakovich: Symphony no 1 in F minor op. 10 </p> <p>The concluding concert of the season opens with Sebastian Fagerlund’s fast-pulsating string orchestra work Strings to the Bone. Conductor Tarmo Peltokoski and pianist Mackenzie Melemed, who charmed Finnish audiences in the Maj Lind Competition in 2017, bring a selection of Slavic music to follow. Rachmaninov and Shostakovich nourish the mind and the soul until we can meet again. </p>"
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                "fi": "<p>Oslossa ja Berliinissä kiitosta saanut ohjaus Šostakovitšin väkevästä draamasta esitettiin Suomen Kansallisoopperassa vuonna 2017.</p><p>Tunteet hehkuvat vahvoina oopperassa, jossa rakkaudenkaipuu johtaa Katerinan murhaan ja kuolemaan. Tällä kertaa tapahtumat sijoittuvat syrjäiseen kalastajakylään, yksinäiseen ja kaukaiseen paikkaan. Karunkaunis lavastus ja vahva henkilöohjaus tekevät tästä tuotannosta vaikuttavaa musiikkiteatteria.</p><p>Stage24, tallenne<br>20.4. klo 19</p><p>Tallenne on nähtävissä maailmanlaajuisesti 20.10.2020 saakka<br>Esitetään venäjäksi</p><p>K-18</p>",
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                "sv": "<p> <br> <strong>Ryan Bancroft</strong>, dirigent<br><strong>Mika Kares</strong>, bas<br><br>\nTōru Takemitsu: How slow the wind <br>\nModest Musorgskij / Dmitrij Sjostakovitj: Dödens sånger och danser<br>\nJoonas Kokkonen: Paavos monolog I ”En saa ovea auki” ur operan De sista frestelserna<br>\nJean Sibelius: Symfoni nr 6 <br><br>\nRyan Bancroft, segrare i den internationella Malko-dirigenttävlingen 2018, förtjusar publiken med vackert utformad musik. De ljusa och klara nyanserna i Sibelius sjätte symfoni möter de väster- och österländska intrycken i Takemitsus musik. Solist i de starka verken av Musorgskij och Kokkonen är Mika Kares – här utlovas finländsk bassång när den är som bäst.</p>",
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                "sv": "<p> <br> <strong>Alexander Melnikov</strong>, piano<br><strong>Ville Rusanen</strong>, baryton<br><strong>Ilona Domnich</strong>, sopran</p><p>Gustav Mahler: En vandrande gesälls sånger, arr. Arnold Schönberg<br>\nDmitri Šostakovitš: Pianokonsert nr 2<br>\nGustav Mahler: Pianokvartett a-moll<br>\nDmitri Šostakovitš: Sju romanser till dikter av Aleksandr Blok</p><p>Pianisten Alexander Melnikov, som för tillfället är inne i en exceptionellt framstående internationell karriär, förenar Gustav Mahler och dennes beundrare Dmitrij Sjostakovitj. Vi får höra musik från Mahlers ungdomsår i arrangemang av Schönberg och Alfred Schnittke samt Sjostakovitj som sitt eget berörande jag.</p><p>Öppen generalrepetition kl. 10.00-13.00.<br>\nKonsertpresentation kl. 18.15-18.45.</p>",
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                "fi": "<p>Richard Strauss ei totisesti säästellyt sinfonisessa runossaan Näin puhui Zarathustra. Illan orkesteriväreistä vastaa kapellimestari Juraj Valcuha.</p>Richard Straussin massiivinen orkesteriruno Friedrich Nietzschen kirjasta on tarjonnut egon nostatusta Elviksen konserteissa ja valaistumisen symboliikkaa Stanley Kubrickin elokuvassa 2001: Avaruusseikkailu. Samaan aikaan syntynyt Antonín Dvořákin sellokonsertto on ansainnut asemansa maailman rakastetuimpiin kuuluvana teoksena. Gautier Capuconin tulkintaa on kuvattu hypnoottiseksi.<p></p>Juraj ValčuhaBratislavassa syntynyt Juraj Valčuha (s. 1976) päätyi kapellimestariksi kansanmusiikin kautta. Hänen isoisoisänsä oli oppinut musiikkia Amerikan-matkoillaan, ja palattuaan kotimaahansa hän oli esiintynyt häissä ja tehnyt muita tilausmuusikon töitä. Kun nuori Juraj löysi isoisoisänsä ullakolle jättämät soittimet, hänelle syttyi ajatus muusikon urasta.&nbsp;Seuraavat vuodet Valčuha soitti kansanmusiikkiyhtyeissä ja aloitti opinnot Bratislavan konservatoriossa, jossa opinto-ohjelmaan tuli mukaan säveltäminen. Sitä kautta myös kapellimestarintyöt alkoivat kiinnostaa yhä enemmän. Merkillisenä kohtalonoikkuna Valčuha törmäsi ensimmäistä kertaa tulevan opettajansa nimeen kuoronsa konserttimatkalla New Yorkissa, jonka filharmonikoiden konsertin käsiohjelmassa mainittiin eräs Ilja Musin. Ehti kulua vain vuosi, ja hän opiskeli tämän johdolla Pietarin konservatoriossa. Ennen Valčuhaa legendaarisen Musinin koulutuksen ovat käyneet mm. Valeri Gergijev, Juri Temirkanov ja Vasili Sinaiski. Myöhemmin Valčuha opiskeli Pariisissa János Fürstin, Helsingin kaupunginorkesterin entisen päävierailijan, johdolla.&nbsp;Gautier Capuçon”Uskomaton lahjakkuus”, ”kuin roomalainen soturi”, ”hypnoottinen”… Näillä ja monilla muilla ihailevilla sanoilla kriitikot ovat purkaneet kokemuksiaan kuunneltuaan Gautier Capuçonia (s. 1981) konsertissa tai levyltä. Ylistys on jatkunut jo 90-luvun lopulta lähtien. Viisivuotiaana sellonsoiton aloittanut ja kuusi vuotta Philippe Mullerin ja Annie Cochet-Zakinen johdolla Pariisissa opiskeltuaan Capuçon siirtyi kolmeksi vuodeksi Heinrich Schiffin oppiin Wieniin. Läpimurtoinaan hän voitti Toulousessa Navarra-kilpailun ja Pariisin konservatorion kamarimusiikkipalkinnon, ja vuonna 2001 hän sai Grammyja vastaavan Victoires de la Musique -palkinnon Ranskassa vuoden tulokkaana.&nbsp;&nbsp;Capuçon on kuulunut jo yli kymmenen vuoden ajan sellistien kirkkaimpaan kärkeen, ja esiintyy alituiseen esimerkiksi Berliinin filharmonikoiden, Lontoon sinfoniaorkesterin, Chicago Symphonyn ja New Yorkin filharmonikoiden solistina. Helsingin kaupunginorkesterissa hän vieraili vuonna 2012. Kamarimusiikkia hän soittaa mm. Martha Argerichin, Daniel Barenboimin, Leonidas Kavakosin ja neljä vuotta vanhemman veljensä Raunaudin kanssa. Vaikka Capuçonin levytyshistoriakin on jo mittava, hän tekee äänityksensä mieluimmin konsertissa.Capuçon soittaa Matteo Goffrillerin rakentamaa selloa vuodelta 1701.Seuraa Gautier Capuçonia Twitterissä&nbsp;@GautierCapucon&nbsp;&nbsp;Antonín Dvořák: Sellokonsertto h-molli op. 104Antonín Dvořákin (1841–1904) menestysteokset Stabat Mater ja etenkin Slaavilaiset tanssit nostattivat kuuluisuuden aallon, joka paiskautui myöhemmin jopa New Yorkiin, minne kaivattiin nimekkäintä mahdollista musiikinopettajaa konservatorion kohentamiseksi.&nbsp;Dvořákin vuonna 1892 alkanut kolmevuotinen kausi New Yorkissa Kansallisen konservatorion johtajana olikin sekä rahallisesti että taiteellisesti onnistunut pesti, sillä Prahaan verrattuna moninkertaisen opettajanpalkan lisäksi tuliaisina olivat amerikkalaishenkiset pianokvartetto ja -kvintetto, sinfonia Uudesta maailmasta sekä sellokonsertto, josta tosin vain tutkijan luovuudella voi löytää viittauksia Yhdysvaltoihin. Konsertosta pursuava slaavilainen melankolia johtaa pikemminkin säveltäjän orastavaan koti-ikävään, joka konkretisoituikin kesälomalla 1895 kirjattuun irtisanoutumiskirjeeseen.Varhaisen sellokonserttoyritelmän vuodelta 1865 jäätyä luonnoksen tasolle Dvořák vannoi jättävänsä sellokonsertot muille. On yllättävää, että hän ylipäänsä tarttui selloon solistisoittimena uudemman kerran, sillä aiemmin hän haukkui sen ääntä korkealla nasaaliksi ja matalalla mumisevaksi, eikä hän voinut kuvitellakaan selloa kamarimusiikin tai orkesterin ulkopuolella. Amerikka muutti miestä, sillä vastustuksen muuri murtui välittömästi hänen kuultuaan konservatoriossa opettajakollega Victor Herbertin toisen sellokonserton.Konsertosta muodostui hiljalleen poikkeuksellisen henkilökohtainen vuodatus Dvořákin kuultua nuoruudenrakkautensa Josefina Kounicován sairastuneen vakavasti. Säveltäjä palasi torjutun rakkauden muistoihin lainaamalla hitaassa osassa lauluaan Jätä minut yksin.&nbsp;&nbsp;&nbsp;Richard Strauss: Also sprach ZarathustraRichard Strauss (1864–1949) loi mainetta 1900-luvun taitteessa sävelrunoillaan Macbeth, Don Juan, Don Quixote, Till Eulenspiegelin veikeät kujeet ja Sankarielämää (anti-)sankarihahmojen musiikillistajana, joka venytti vakiintuneita mittakaavoja äärimmilleen ‒ monen mielestä liiankin pitkälle: ”Von Bülow tohisee hänestä, kuten hän tohisi Brahmsista ja muistakin. Minun mielestäni ei ole vielä koskaan esiintynyt säveltäjää, joka olisi yhtä vähälahjainen ja täynnä mahtailua!” suolsi Pjotr Tšaikovski jo vuonna 1888 ‒ kauan ennen Straussin todellisia orkesteripommeja.&nbsp;Also sprach Zarathustra (’Näin puhui Zarathustra’) (1895-6) on selvä poikkeama Straussin sankarihahmoista. Ilmentäessään persialaisfilosofin suulla puhuvan Friedrich Nietzschen romaania sekä humanismin, superihmisen ja jumalien vallasta luopumisen ideaa Strauss laajensi musiikkiaan yksilökeskeisestä tarinankerronnasta kokonaisen maailmankatsomuksen kuvailuun. Vaikka Strauss leuhkikin pystyvänsä säveltämään musiikiksi illalliskattauksen kaikkine yksityiskohtineen, hän ei Zarathustran kohdalla sortunut pikkutarkkuuteen. Alaotsikolla ”Vapaasti Nietzscheä mukaillen” Strauss antaa luvan paitsi itselleen myös kuulijoille löytää teoksesta omaan mielentilaansa sopivat tulkinnat.&nbsp;Meidän aikanamme jokainen tuntee teoksesta vähintäänkin ensimmäiset 21 tahtia, jotka populaarikulttuuri on valjastanut palvelukseensa viimeistään Stanley Kubrickin käytettyä niitä elokuvassaan 2001: Avaruusseikkailu (1968). Sittemmin Zarathustralla on myyty monenkirjavia tuotteita, kuten olutta, huuhteluainetta, toimistotarvikkeita ja matkapuhelimia, ja monet esiintyjät kuten Elvis ja Green Day ovat nostattaneet konserttiensa tunnelmaa tällä straussilaisella lähtölaukauksella.&nbsp;&nbsp;&nbsp;Jaani Länsiö&nbsp;&nbsp;&nbsp;",
                "sv": "<p>Antonin Dvořák: Cellokonsert / Richard Strauss: Also sprach Zarathustra</p><p>&nbsp;</p><p>Richard Strauss massiva orkesterverk efter Friedrich Nietzsches bok har fungerat som ego boosting på Elvis konserter och som en symbol för ny klarhet i Stanley Kubricks film 2001 - ett rymdäventyr. Samtidigt komponerade Antonín Dvořák sin cellokonsert, som fått en välförtjänt plats som ett världens mest älskade musikverk. Gautier Capucinos tolkning har beskrivits som hypnotisk.</p><p>&nbsp;</p>",
                "en": "<p>Antonin Dvořák: Cello Concerto / Richard Strauss: Also sprach Zarathustra</p><p>Richard Strauss based his massive orchestral poem on the book by Friedrich Nietzsche, and it has since been used to boost the ego at Elvis concerts and to symbolise enlightenment in the Stanley Kubrick film 2001: A Space Odyssey. Antonin Dvořák composed his cello concerto around the same time, and it has since earned a place among the most popular pieces of classical music in the world. Gautier Capucon’s interpretation has been described as hypnotic.</p><p>Juraj ValcuhaJuraj Valcuha has been appointed Music Director of the Teatro di San Carlo, Naples with effect from October 2016. He is also First guest conductor of the Konzerthaus Orchester Berlin. He was Chief Conductor of the Orchestra Sinfonica Nazionale della Rai, Turin (2009–16).</p><p>Juraj Valcuha studied composition and conducting in Bratislava, St Petersburg with Ilya Musin and in Paris. 2005 saw his début with the Orchestre National de France. In the following seasons he has led the Philharmonia, Rotterdam Philharmonic, Leipzig Gewandhaus, Swedish Radio, Dresden Staatskapelle, Munich Philharmonic, Berlin Philharmonic, Concertgebouw Amsterdam, Maggio Musicale Florence, Santa Cecilia Rome and Filarmonica della Scala Milan orchestras. North American débuts include the Pittsburgh, Boston, Cincinnati, San Francisco and Montreal Symphonies, Los Angeles Philharmonic, National Symphony, Washington DC and New York Philharmonic orchestras. Touring with Orchestra della Rai took them all over Europe as well as to the Abu Dhabi Classics, Musikverein in Vienna and Philharmonie in Berlin.</p><p>2015/16 marked his return to the New York Philharmonic in New York as well as at the Vail Colorodo Festival,&nbsp; to the Pittsburgh, San Francisco and Minnesota Symphonies, the Munich and Czech Philharmonics.In 2016/17 he made his début with the Chicago Symphony and the Cleveland Orchestra, and returned to San Francisco, Montréal, Minnesota as well as Orchestre de Paris.On the Opera, he recently conducted Faust in Florence, Peter Grimes in Bologna as well as Elektra, Carmen and The Girl of the Golden West at Teatro San Carlo di Napoli.</p><p>His engagements in 2017/2018 bring him back to the American orchestras of San Francisco, Detroit, Cincinnati, Minnesota and Toronto. He will join the Konzerthaus Berlin, Munich Philharmonic, Philharmonia London, Swedish Radio and NDR Elbphilharmonie orchestras, as well as the Rai Orchestra in Torino and the Santa Cecilia in Rome. At his Teatro San Carlo Naples he will conduct productions of Bartok Bluebeard, Shostakovich Lady Macbeth of Mtsensk and Verdi Don Carlo.</p><p>Gautier Capuçon “Phenomenally talented” and “hypnotic” are just two of the many expressions used to describe Gautier Capuçon (b. 1981). Already the winner of many prestigious prizes, he was awarded the Victoires de la Musique prize as New Talent of the Year in 2001. He has been one of the brightest stars on the cello firmament for over a decade now, returning again and again to perform with the likes of the Berlin Philharmonic, the London Symphony, the Chicago Symphony and the New York Philharmonic. He last visited the HPO in 2012. His partners in chamber music include Martha Argerich, Daniel Barenboim, Leonidas Kavakos and his older brother Renaud.</p><p>Despite having a considerable discography to his name, Capuçon prefers to record in concert. “Music is alive,” he says, “so we are showing music…When you are in a room with just a few people and a lot of microphones, it is hard to pretend that it really is. When you have an audience, things change considerably.”</p><p>Gautier Capuçon plays a Matteo Goffriller cello from 1701. Follow him on Twitter @GautierCapucon.</p>"
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            "description": {
                "fi": "<p>Helsingin kaupunginmuseo, Aleksanterinkatu 16, luo jälleen sisäpihoilleen rauhaisan talvikeitaan valoteosten muodossa. Viime talvena suuren suosion saaneiden historiallisten valoveistosten tekijältä Alexander Reichsteiniltä nähdään nyt teos <em>Menneisyyden varjot</em>. Teoksessa haamumaiset siluetit kulkevat loputtomassa kulkueessaan historiallisella Goviniuksen sisäpihalla. Peruukkiherrat astelevat juhlallisesti ohitse, palvelijat kantavat virvokkeita, lapset ajavat sadan vuoden takaista polkupyörää ja vallankumoukselliset matruusit marssivat taisteluun. Kulkue tottelee <em>Š</em>ostakovit<em>š</em>in musiikin voimakasta rytmiä, joka välittää ajan kulumisen draamaa.</p><p>Falkmanin sisäpihan taas täyttää Willem Heefferin ja Jussi Karjalaisen suunnittelema, varjoteatterin keinoja hyödyntävä valoteos <em>Around Helsinki</em>. Teoksessa seikkailee tuttuja ja vähän tuntemattomampiakin helsinkiläisiä maamerkkejä, kuten hotelli Torni, lippakioski ja vanha katulyhty, sekä ikonisia kaupunkilaisia kulkuneuvoja ratikasta zeppeliiniin. Molempia valoteoksia voi ihailla museon aukioloaikoina 2.12.2017–10.1.2018 eli Tuomaan markkinoiden alusta aina Lux Helsinki -festivaalin päättymiseen asti.</p><p>Valoteokset näkyvät parhaiten pimeän aikaan, noin klo 15 alkaen.</p>",
                "sv": "<p>Helsingfors stadsmuseum, Alexandersgatan 16, skapar åter en rofull vinteroas i form av ljuskonst på sina innergårdar. Alexander Reichstein, som gjorde de mycket omtyckta historiska ljusskulpturerna i vintras, visar nu konstverket ”Menneisyyden varjot” (<em>skuggor från det förflutna</em>). I konstverket färdas spöklika siluetter i en ändlös procession på Govinius historiska innergård. Herrar i peruk stegar högtidligt förbi, tjänstefolk bär drycker, barnen cyklar på en hundra år gammal cykel och rebelliska matroser marscherar till strid. Processionen går i takt med de kraftfulla rytmerna i Sjostakovitjs musik och förmedlar tidens flykt på ett dramatiskt sätt.</p><p>Falkmans innergård fylls däremot av ljuskonstverket ”Around Helsinki”, som utnyttjar skuggspelsteknik och är planerat av Willem Heeffer och Jussi Karjalainen. I verket förekommer bekanta och även mindre bekanta landmärken i Helsingfors, som hotell Torni, Kepskiosken och den gamla gatlyktan samt ikoniska fortskaffningsmedel i staden allt från spårvagnar till zeppelinare. Båda ljuskonstverken kan beundras under museets öppettider 2.12.2017–10.1.2018, det vill säga från det att Tomasmarknaden börjar till slutet av ljusfestivalen Lux Helsinki.</p>",
                "en": "<p>Helsinki City Museum at Aleksanterinkatu 16 will again create a peaceful winter oasis of light installations in its outdoor courtyards. This year, Alexander Reichstein, the creator of last winter’s immensely popular historic light sculptures, will bring <em>Shadows of the Past</em> to the historic Govinius’ courtyard. In this installation, ghostly silhouettes walk in an endless procession. Bewigged gentlemen stroll solemnly by, servants carry refreshments, children ride a bicycle as it was a hundred years ago, and revolutionary seamen march into battle. The procession marches to the strong rhythms of Shostakovich's music, which conveys the drama of time passing by.</p><p>Falkman’s courtyard will be filled by Willem Heeffer and Jussi Karjalainen’s light installation <em>Around Helsinki</em>, based on shadow theatre techniques. The installation features familiar and less familiar landmarks of Helsinki, including Hotel Torni, a kiosk and an old street lamp, alongside iconic urban transport vehicles ranging from a tram to a Zeppelin. Both light installations can be admired during the museum's opening hours from 2 December 2017 to 10 January 2018, in other words from the start of the Helsinki Christmas Market until the end of the Lux Helsinki Festival.</p>"
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            "name": {
                "fi": "Valoteokset lumoavat sisäpihoilla",
                "sv": "Fascinerande ljuskonst på innergårdar",
                "en": "FASCINATING LIGHT INSTALLATIONS IN COURTYARDS"
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                "fi": "Helsingin kaupunginmuseo, Aleksanterinkatu 16, luo jälleen sisäpihoilleen rauhaisan talvikeitaan v…",
                "sv": "Helsingfors stadsmuseum, Alexandersgatan 16, skapar åter en rofull vinteroas i form av ljuskonst p?…",
                "en": "Helsinki City Museum at Aleksanterinkatu 16 will again create a peaceful winter oasis of light insta…"
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